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Interlude 004 is all about inclusivity/exclusivity: from podcasts that interview with inclusivity in mind to the global women’s march in January. Plus, “Nvr Pass” by previous Grrl on Grrl guest Emma with her band She/Her/Hers, and the poem “A Kind of Dying” by San Diego poet Felicia Williams.
Wanna submit your poetry and flash fiction to be featured in an Interlude episode? Shoot me an email!
Don’t forget to rate & review Grrl on Grrl on iTunes or Stitcher, and you can follow me on Twitter and Instagram @grrlongrrl, or you can like the Grrl on Grrl Podcast page on Facebook.
Listen Here
Download at Libsyn or listen at these websites [iTunes | Stitcher | TuneIn | Google Play]
Links & Notes
- She/Her/Hers – “Nvr Pass”
- Keep updated on the release of their next album Grrrl Angst by following them on Facebook.
- Birthday Loon Studios by Hailey Wojcik – you can hear some more about Hailey’s stop motion animation work on her episode here
- So much detail. So much work.
- All her videos on Vimeo
- Angry Grrrl Music of the Indie Rock Persuasion by Amanda Starling – a podcast highlighting women, femmes, LGBTQ, and minority movements in the punk rock & indie rock scenes
- Episode 2 with Sheridan Allen of Punk Talks – mental health for musicians
- Episode 6 with War on Women – “Music is my activism”
- Sooo Many White Guys
- “Join comedian Phoebe Robinson as she talks to performers, musicians, authors and artists who are killing it in their fields. Oh, and none of them are white dudes! Whew.”
- Episode 17 with Margaret Cho – “Phoebe and Margaret Cho Hope They Die Alone”
Women’s March / Exclusion of Trans Voices
- TransEthic interview with Katelyn Burns on Writing, Politics, and Moving Forward
-
How ‘Pussy Hats’ Made Me Feel Excluded — And Then Welcomed — At The Women’s March by Katelyn Burns
Felicia Williams
- Her poem “A Kind of Dying” with backing track by Asher Mendel
- Her collaborative poetry zine Madwoman et cetera, which you can buy here
Thanks!
Thank you to Felicia Williams, Asher Mendel, Emma of She/Her/Hers, and Polish for the use of their song “Drive.”
